Details
A Critical Companion to Tim Burton
|
109,99 € |
|
| Verlag: | Lexington Books |
| Format: | EPUB |
| Veröffentl.: | 16.10.2017 |
| ISBN/EAN: | 9781498552738 |
| Sprache: | englisch |
| Anzahl Seiten: | 278 |
DRM-geschütztes eBook, Sie benötigen z.B. Adobe Digital Editions und eine Adobe ID zum Lesen.
Beschreibungen
<span><span>Unlike anything currently available, </span><span>A Critical Companion to Tim Burton </span><span>is a comprehensive, up-to-date analysis of all the works of one of the world's most renowned directors and artists. Written by some of the top scholars working in fields as diverse as philosophy, film and media studies, and literature, all chapters of this book illuminate for both scholars and fans alike the entire artistic career of Burton, giving attention to both his early works and his global blockbusters.</span></span>
<span><span>A Critical Companion to Tim Burton </span><span>is a comprehensive examination of Tim Burton's entire artistic career and film oeuvre. Each chapter in this book is scholarly yet accessible and the perspectives come from a variety of disciplinary perspectives. </span></span>
<span><span>Introduction</span></span>
<br>
<span></span>
<br>
<span><span>Section I: Constructing Worlds</span></span>
<br>
<span></span>
<br>
<span><span>Chapter 1: Burton’s Bowl: Constructions of Space in the Films of Tim Burton by Jeffrey Andrew Weinstock</span></span>
<br>
<span><span>Chapter 2: The Abject, Carnivalesque, and Uncanny by Fran Pheasant-Kelly</span></span>
<br>
<span><span>Chapter 3: The Dark and the Darker: The Meaning and Significance of Dark and Light Colors in Tim Burton Films by Orsolya Karacsony</span></span>
<br>
<span><span>Chapter 4: Traces of Surrealism in the Work of Tim Burton by Sabine Planka </span></span>
<br>
<span><span>Chapter 5: Tim Burton’s Artists of Death by Elsa Colombani</span></span>
<br>
<span><span>Chapter 6: The Interconnectivity of Elfman’s Film Scoring and Burton’s Narrative by Andrew S. Powell</span></span>
<br>
<span></span>
<br>
<span><span>Section II: Fairy Worlds and Nightmares</span></span>
<br>
<span></span>
<br>
<span><span>Chapter 7: Nightmares and the Struggle for Existence in </span><span>Alice in Wonderland </span><span>and</span><span> Planet of the Apes</span><span> by Antonio Sanna</span></span>
<br>
<span><span>Chapter 8: Reading Burton’s </span><span>The</span><span>Nightmare Before Christmas</span><span> with Paul Tillich by Christopher M. Cuthill</span></span>
<br>
<span><span>Chapter 9: Deconstructing (and Reconstructing) the Fairy Tale in Tim Burton’s </span><span>The Nightmare Before Christmas</span><span> and </span><span>Corpse Bride</span><span> by Alissa Burger</span></span>
<br>
<span><span>Chapter 10: </span><span>Mars Attacks! </span><span>as Fractured Fairy Tale under Tolkien’s Principles of Recovery, Escape, and Consolation by Nicole Pramik</span></span>
<br>
<span><span>Chapter 11: The Heroic Journey of Ed Wood by Carl Sobocinski</span></span>
<br>
<span><span>Chapter 12: The Paranormal Hero as a Boundary-Crosser by Maria Dicieanu </span></span>
<br>
<span><span>Chapter 13: </span><span>Miss Peregrine’s</span><span>: New Home for a Peculiar Problem by Trip McCrossin</span></span>
<br>
<span></span>
<br>
<span><span>Section III: Identity and the World</span></span>
<br>
<span></span>
<br>
<span><span>Chapter 14: A Colonial Tapestry: Race and Ideology in </span><span>Pee-wee’s Big</span><span>Adventure</span><span> by Florent Christol</span></span>
<br>
<span><span>Chapter 15: Willy Wonka as a Contemporary Dandy by </span><span>Radoslaw Osiński</span></span>
<br>
<span><span>Chapter 16: Batman, Burton, and the Puzzle of Identity by Kyle Alkema and Adam Barkman</span></span>
<br>
<span><span>Chapter 17: Fools on the Hill: Tim Burton’s Nietzschean Outcasts and Heidegger’s </span><span>das Man</span><span> by Siobhan Lyons </span></span>
<br>
<span><span>Chapter 18: “My Whole Life Is a Dark Room”: Nostalgia and Domesticity in </span><span>Beetlejuice</span><span> and </span><span>Edward Scissorhands</span><span> by Renee Middlemost</span></span>
<br>
<span><span>Chapter 19: Tim Burton and the Determinist Impulse by Brent Peters and Adam Barkman</span></span>
<br>
<span><span>Chapter 20: Doll Doubles: Female Identity in Tim Burton’s Stop-Motion Films by Donna Mitchell</span></span>
<br>
<span></span>
<br>
<span><span>Section I: Constructing Worlds</span></span>
<br>
<span></span>
<br>
<span><span>Chapter 1: Burton’s Bowl: Constructions of Space in the Films of Tim Burton by Jeffrey Andrew Weinstock</span></span>
<br>
<span><span>Chapter 2: The Abject, Carnivalesque, and Uncanny by Fran Pheasant-Kelly</span></span>
<br>
<span><span>Chapter 3: The Dark and the Darker: The Meaning and Significance of Dark and Light Colors in Tim Burton Films by Orsolya Karacsony</span></span>
<br>
<span><span>Chapter 4: Traces of Surrealism in the Work of Tim Burton by Sabine Planka </span></span>
<br>
<span><span>Chapter 5: Tim Burton’s Artists of Death by Elsa Colombani</span></span>
<br>
<span><span>Chapter 6: The Interconnectivity of Elfman’s Film Scoring and Burton’s Narrative by Andrew S. Powell</span></span>
<br>
<span></span>
<br>
<span><span>Section II: Fairy Worlds and Nightmares</span></span>
<br>
<span></span>
<br>
<span><span>Chapter 7: Nightmares and the Struggle for Existence in </span><span>Alice in Wonderland </span><span>and</span><span> Planet of the Apes</span><span> by Antonio Sanna</span></span>
<br>
<span><span>Chapter 8: Reading Burton’s </span><span>The</span><span>Nightmare Before Christmas</span><span> with Paul Tillich by Christopher M. Cuthill</span></span>
<br>
<span><span>Chapter 9: Deconstructing (and Reconstructing) the Fairy Tale in Tim Burton’s </span><span>The Nightmare Before Christmas</span><span> and </span><span>Corpse Bride</span><span> by Alissa Burger</span></span>
<br>
<span><span>Chapter 10: </span><span>Mars Attacks! </span><span>as Fractured Fairy Tale under Tolkien’s Principles of Recovery, Escape, and Consolation by Nicole Pramik</span></span>
<br>
<span><span>Chapter 11: The Heroic Journey of Ed Wood by Carl Sobocinski</span></span>
<br>
<span><span>Chapter 12: The Paranormal Hero as a Boundary-Crosser by Maria Dicieanu </span></span>
<br>
<span><span>Chapter 13: </span><span>Miss Peregrine’s</span><span>: New Home for a Peculiar Problem by Trip McCrossin</span></span>
<br>
<span></span>
<br>
<span><span>Section III: Identity and the World</span></span>
<br>
<span></span>
<br>
<span><span>Chapter 14: A Colonial Tapestry: Race and Ideology in </span><span>Pee-wee’s Big</span><span>Adventure</span><span> by Florent Christol</span></span>
<br>
<span><span>Chapter 15: Willy Wonka as a Contemporary Dandy by </span><span>Radoslaw Osiński</span></span>
<br>
<span><span>Chapter 16: Batman, Burton, and the Puzzle of Identity by Kyle Alkema and Adam Barkman</span></span>
<br>
<span><span>Chapter 17: Fools on the Hill: Tim Burton’s Nietzschean Outcasts and Heidegger’s </span><span>das Man</span><span> by Siobhan Lyons </span></span>
<br>
<span><span>Chapter 18: “My Whole Life Is a Dark Room”: Nostalgia and Domesticity in </span><span>Beetlejuice</span><span> and </span><span>Edward Scissorhands</span><span> by Renee Middlemost</span></span>
<br>
<span><span>Chapter 19: Tim Burton and the Determinist Impulse by Brent Peters and Adam Barkman</span></span>
<br>
<span><span>Chapter 20: Doll Doubles: Female Identity in Tim Burton’s Stop-Motion Films by Donna Mitchell</span></span>
<span><span>Adam Barkman</span><span> is associate professor and chair of the Philosophy department at Redeemer University College.</span></span>
<br>
<br>
<span><span>Antonio Sanna</span><span> is a regular contributor to </span><span>Interactions: Literature and Culture</span><span>, </span><span>Kinema</span><span> and </span><span>The Quint.</span></span>
<br>
<br>
<span><span>Antonio Sanna</span><span> is a regular contributor to </span><span>Interactions: Literature and Culture</span><span>, </span><span>Kinema</span><span> and </span><span>The Quint.</span></span>
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