Details

Teaching Edith Wharton's Major Novels and Short Fiction


Teaching Edith Wharton's Major Novels and Short Fiction


American Literature Readings in the 21st Century

von: Ferdâ Asya

117,69 €

Verlag: Palgrave Macmillan
Format: PDF
Veröffentl.: 13.05.2021
ISBN/EAN: 9783030527426
Sprache: englisch

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Beschreibungen

<p></p><p>This book translates recent scholarship into pedagogy for teaching Edith Wharton’s widely celebrated and less-known fiction to students in the twenty-first century. It comprises such themes as American and European cultures, material culture, identity, sexuality, class, gender, law, history, journalism, anarchism, war, addiction, disability, ecology, technology, and social media in historical, cultural, transcultural, international, and regional contexts. It includes Wharton’s works compared to those of other authors, taught online, read in foreign universities, and studied in film adaptations.&nbsp;</p><p><br></p><p>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;</p><p></p>
<p>1. Introduction.- 2.&nbsp;Part I. Culture and History:&nbsp;Chapter 1. Reading in Three Dimensions: Using Material Culture to Teach <i>The House of Mirth </i>and <i>The Age of Innocence.- 3.&nbsp;</i>Chapter 2. Getting to Know the Community: Using Raymond Williams’s Concept of “Knowable Communities” to Teach Wharton’s <i>Summer.- </i>4.<i>&nbsp;</i>Chapter 3. Using Women Reporting War to Teach Edith Wharton’s “Writing a War&nbsp;Story”: An Added Context for Gendered Writing.- 5.&nbsp;Chapter 4. An Argument for Teaching <i>The Marne</i>: A Long Overlooked Example of&nbsp;Wharton’s Wartime Writings. - 6.&nbsp;Chapter 5. Historicizing Adaptation:<b> </b><i>The Age of Innocence</i><b> </b>in the Context of 1930s&nbsp;Hollywood. - 7.&nbsp;Part II. Wharton and Other Authors:&nbsp;Chapter 1. Survival versus Thriving: Social Mobility in Edith Wharton’s&nbsp;<i>The House of Mirth</i> and Edna Ferber’s <i>So Big.- </i>8<i>.&nbsp;</i>Chapter 2. Developing Sympathy: Teaching Edith Wharton’s <i>Summer </i>with Lynn Nottage’s <i>Intimate Apparel.- </i>8<i>.&nbsp;</i>Chapter 3. Teaching Edith Wharton and Henry James in The Netherlands.- 9.&nbsp;Part III. Wharton and Critical Lenses:&nbsp;Chapter 1. “Granite Outcroppings but Half-Emerged from the Soil”:&nbsp;Using <i>Ethan Frome</i> in a Gateway Course for the English Major.- 10.&nbsp;Chapter 2. “We’re near each other only if we stay far from each other”: Teaching Psychoanalytic Desire in <i>The Age of Innocence.- </i>11.&nbsp;Chapter 3. Social Darwinism, Feminism, and Performative Identity in Wharton’s “The Last Asset”.- 12.&nbsp;Chapter 4. Edith Wharton’s <i>Ethan Frome</i> and the History of Literary Scholarship.- 13.&nbsp;Part IV. Wharton and Interdisciplinary Contexts:&nbsp;Chapter 1.<b> </b>Modeling Addiction: Teaching <i>The House of Mirth</i> in the Context of Addiction Studies.- 14.&nbsp;Chapter 2. Ecoliteracy and Edith Wharton: The Ecosomatic Paradigm and the Poetics of Paratexts in Ethan Frome.- 15.&nbsp;Chapter 3. Teaching Edith Wharton’s <i>The Children </i>in The Anarchist Tradition in&nbsp;Literature Course.- 16.&nbsp;Part V. Wharton and the World Today:&nbsp;Chapter 1. Wharton Goes Online: Reimagining the Traditional Graduate Seminar.- 17.&nbsp;Chapter 2. Students Abroad - in the Classroom: A Transatlantic Assignment on Wharton’s “Roman Fever”.- 18.&nbsp;Chapter 3. Slouching toward the Posthuman: Teaching Edith Wharton’s <i>Twilight</i> <i>Sleep.</i></p><br><br>
<p>Ferdâ Asya is professor of English at Bloomsburg University of Pennsylvania, USA, and editor of <i>American Writers in Europe: 1850 to the Present</i> (2013)</p><p><br></p><p>&nbsp; &nbsp; &nbsp; &nbsp;</p>
<div><p>“Ferdâ Asya’s collection&nbsp;of essays<b>&nbsp;</b>is&nbsp;the first book to address the crucial issue of teaching one of the most important masters of American fiction. The essays in this intriguing volume reveal a remarkable variety of useful pedagogical approaches to Wharton's fiction. In their representation of a wide range of critical approaches and insistence on exploring the full range of her literary achievement, these essays provide new testimony to the enduring power of the writer and her work.”</p><p>-&nbsp;Alfred Bendixen, Princeton University, USA, and Executive Director of American Literature Association</p><p>&nbsp;</p><p>“This&nbsp;is a rousing collection of essays on how to make Edith Wharton relevant to twenty-first century students.&nbsp;With a deep understanding of the student mindset, this volume employs fresh insight and remarkable creativity to help a new generation grasp the more germane points of this surprisingly modern and still unmatched American author.”</p><p>&nbsp;-&nbsp;Jennie Fields, author of&nbsp;<i>The Age of Desire</i>&nbsp;(2012)<b>&nbsp;</b>and&nbsp;<i>Atomic Love&nbsp;</i>(2020)</p><p>&nbsp;</p><p>&nbsp;“This volume&nbsp;offers essays that will guide new and experienced instructors of Wharton’s fiction. The contributors take a variety of Wharton’s texts as their subjects and approach the teaching of her work from a range of perspectives, from different theoretical contexts to varying roles in the curricula. This volume will spark new and creative approaches to teaching Wharton’s well-known and highly complex body of fiction.”</p><p> </p>-&nbsp;Jennifer Haytock, Professor, SUNY Brockport, USA, and author of&nbsp;<i>Edith Wharton and the Conversations of Literary Modernism&nbsp;</i>(2008)<p></p><p><br></p><p>This book translates recent scholarship into pedagogy for teaching Edith Wharton’s widely celebrated and less-known fiction to students in the twenty-first century. It comprises such themes as American and Europeancultures, material culture, identity, sexuality, class, gender, law, history, journalism, anarchism, war, addiction, disability, ecology, technology, and social media in historical, cultural, transcultural, international, and regional contexts. It includes Wharton’s works compared to those of other authors, taught online, read in foreign universities, and studied in film adaptations.&nbsp;</p>

</div>
Offers essays that will guide current and new instructors of Wharton’s fiction Designed to spark new and creative approaches to teaching Wharton’s well-known yet highly complex body of fiction Brings a number of approaches to Wharton into one volume
“Ferdâ Asya’s collection&nbsp;of essays<b>&nbsp;</b>is&nbsp;the first book to address the crucial issue of teaching one of the most important masters of American fiction. The essays in this intriguing volume reveal a remarkable variety of useful pedagogical approaches to Wharton's fiction. In their representation of a wide range of critical approaches and insistence on exploring the full range of her literary achievement, these essays provide new testimony to the enduring power of the writer and her work.”<p></p><p>-&nbsp;Alfred Bendixen, Princeton University, USA, and Executive Director of American Literature Association</p><p>&nbsp;</p><p>“This&nbsp;is a rousing collection of essays on how to make Edith Wharton relevant to twenty-first century-students.&nbsp;With a deep understanding of the student mindset, this volume employs fresh insight and remarkable creativity to help a new generation grasp the more germane points of this surprisingly modern and still unmatched American author.”</p><p>&nbsp;-&nbsp;Jennie Fields, author of&nbsp;<i>The Age of Desire</i>&nbsp;(2012)<b>&nbsp;</b>and&nbsp;<i>Atomic Love&nbsp;</i>(2020)</p><p>&nbsp;</p><p>&nbsp;“This volume&nbsp;offers essays that will guide new and experienced instructors of Wharton’s fiction. The contributors take a variety of Wharton’s texts as their subjects and approach the teaching of her work from a range of perspectives, from different theoretical contexts to varying roles in the curricula. This volume will spark new and creative approaches to teaching Wharton’s well-known and highly complex body of fiction.”</p><p></p>-&nbsp;Jennifer Haytock, Professor, SUNY Brockport, USA, and author of&nbsp;<i>Edith Wharton and the Conversations of Literary Modernism&nbsp;</i>(2008)<p></p><p><br></p>

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